Posts tagged "columbus ohio"

Another piece using recordings of Lisa McLymont’s sculpture of the same title. Find her at lisamclymont.com.


When I first sat down to work on this, I felt like the title was pushing me toward a sense of solitude, inner peace, and calm, but I had a hard time finding any in the recording that we made, even after putting the sounds through all manner of pitch and speed manipulation in Audacity.

I finally just decided to let the recording say what it wanted to, and in doing so, came up with something that turned out to be more authentic to my own “alone with the stars” tendencies. In stillness, it becomes harder for me to ignore the constant thoughts that are swirling around in my head, fighting for attention. I think some of that struggle ended up coming through here.

I suppose the irony of that is that “artistic expression” seems like it should be this very deliberate thing, but I find that the most “expressive” things I make tend to come out of my most haphazard processes. Hmm.

i’m trying to get back into the habit of making at least a little recording every day. it’s not the same without a vibraphone in the house, but it’s fun to try and push myself to do it without my usual tools.

i want to be writing music, but it’s not coming. instead, i do this to grease the wheels; it’s better to be writing nothing than to not write anything at all. and even though i know that making work is less about magical flashes of inspiration than about regular, persistent work, sometimes i forget….so it’s good to have this to come back to.

zines and percussion.

zine pages are coming off the printer again. come get yourself a copy and see the concert that goes with it.

“everyone’s got their own version of the same story.”

as i’ve been putting up posters for geographies #1, i’ve been thinking that maybe the phrase “concert + zine #1″ is a little confusing.
geographies is a zine in which some of the pages are on paper, and some of them unfold in front of you, on stage. some are text that the audience will read at designated times throughout the concert, and some are a piece of live percussion music, either alone or with dance. this concert is “experimental” in every sense of the word. i’ve never tried to integrate a printed zine and a live concert before, and i don’t know exactly how it will work, but i’ll sure have fun trying.

what’s the zine connection? i spent most of my high school and undergrad years as an active part of the zine community, which was a great creative outlet and the means by which i made many dear friends. as a musician and composer, i sometimes envy artists whose work produces a tangible physical product, so i wanted to experience that again for myself, since it’s been about 11 years since my last zine.
if it’s a concert, why all the reading? i find a lot of my old zine habits cropping up in my composing process, and writing is an especially huge part of that, so i wanted to find a way to bring that into the product as well. initially, i considered having the text read aloud, but part of the appeal of zines is the intimacy between creator and reader. holding something in your hands that someone else made with theirs is an intimate act, moreso than reading something on the internet or hearing it read in a roomful of people;  i want to give the audience a chance to engage with the text on their own terms and in their own time.
what kind of music is it? i guess you could call it contemporary chamber music, experimental, or something along those lines. most of it is composed and performed by me, all of it uses percussion instruments (mainly drum set, vibraphone, and found objects). it’s not especially loud or noisy, and i think it’s all pretty accessible, whether or not experimental music is your cup of tea.
can i just get a copy of the zine without coming to the concert? sure, but you’ll be missing about half the content.
what’s it about? you should probably just come and find out for yourself.

as i’ve been putting up posters for geographies #1, i’ve been thinking that maybe the phrase “concert + zine #1″ is a little confusing.

geographies is a zine in which some of the pages are on paper, and some of them unfold in front of you, on stage. some are text that the audience will read at designated times throughout the concert, and some are a piece of live percussion music, either alone or with dance. this concert is “experimental” in every sense of the word. i’ve never tried to integrate a printed zine and a live concert before, and i don’t know exactly how it will work, but i’ll sure have fun trying.

what’s the zine connection? i spent most of my high school and undergrad years as an active part of the zine community, which was a great creative outlet and the means by which i made many dear friends. as a musician and composer, i sometimes envy artists whose work produces a tangible physical product, so i wanted to experience that again for myself, since it’s been about 11 years since my last zine.

if it’s a concert, why all the reading? i find a lot of my old zine habits cropping up in my composing process, and writing is an especially huge part of that, so i wanted to find a way to bring that into the product as well. initially, i considered having the text read aloud, but part of the appeal of zines is the intimacy between creator and reader. holding something in your hands that someone else made with theirs is an intimate act, moreso than reading something on the internet or hearing it read in a roomful of people;  i want to give the audience a chance to engage with the text on their own terms and in their own time.

what kind of music is it? i guess you could call it contemporary chamber music, experimental, or something along those lines. most of it is composed and performed by me, all of it uses percussion instruments (mainly drum set, vibraphone, and found objects). it’s not especially loud or noisy, and i think it’s all pretty accessible, whether or not experimental music is your cup of tea.

can i just get a copy of the zine without coming to the concert? sure, but you’ll be missing about half the content.

what’s it about? you should probably just come and find out for yourself.

Vibraphone, some of it with effects, and a drum machine. I actually kind of hate drum machines, but these are the things we resort to when it’s late at night and don’t want to make the neighbors mad. I will probably add more to it later. Something harsh and metal and insistent, maybe.

“In today’s more vibrant version, though, the artist himself is the spectacle, the subject of the tour guide. His primary job is not really to produce art but to participate in a “scene”—in an act that is put on for well-heeled spectators. Indeed, this act is essential to the vibrant: in order to bring the economic effects that “the arts” are being counted upon to bring—attracting and retaining top talent for a city’s corporations, remember—the artist himself must be highly visible. He must run a gallery, patronize cool coffee shops and restaurants, or rehab rundown buildings.”

This a really interesting read. It all sounds so familiar…

The soundtrack to From One Foot to the Other is now available for download!

The soundtrack to From One Foot to the Other is now available for download!

Here’s a little sample of the soundtrack to From One Foot to the Other, opening tomorrow night at Feverhead, composed by me and Counterfeit Madison. The dress rehearsal was tonight, and it’s so genuine and lovely and great that I can’t even fully explain it all.

percussionist, composer, music educator based in columbus, ohio.

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